arts

In the early 2000s the minority world turned towards the creative sector to revitalize regional economies. The resulting development policies ultimately led to gentrification and social exclusion based on race, ethnicity, class and gender. These exclusions also apply to artists and artisans, occupational groups whose economic activity and needs have been paradoxically erased from dominant creativity-based development prescriptions.

Artist Ailie Rutherford has been working with Glasgow Women’s Library (GWL) to visualise the complex nature of work and care for many women. The Pouring Out, Pouring In exhibition shares prints and other outcomes from the Mapping Women’s Work workshop series at GWL. Building on a University of Glasgow study, the women involved have mapped out their multiple paid and unpaid roles, thinking together about how a more equitable economic system might look. 

This report outlines two approaches to assessing the intentions and outcomes of the non-governmental organisation, Life in Vacant Spaces (LiVS), in Ōtautahi Christchurch. Ōtautahi Christchurch presents a useful case study for wellbeing as it continues to recover from the physical and psychological trauma of earthquakes. 

An investigation through texts, interviews, and documentation of the complex relationship between the urban, the rural, and contemporary cultural production.

Applied Theatre: Economies addresses a notoriously problematic area: applied theatre's relationship to the economy and the ways in which socially committed theatre makers fund, finance or otherwise resource their work.