Much of the debate over sustainable development revolves around how to balance the competing demands of economic development, social well-being, and environmental protection. “Jobs vs. environment” is only one of the many forms that such struggles take. But what if the very terms of this debate are part of the problem? Reimagining Livelihoods argues that the “hegemonic trio” of economy, society, and environment not only fails to describe the actual world around us but poses a tremendous obstacle to enacting a truly sustainable future.
Artists and artisans have a crucial role in the sustainability of the creative economy. By utilizing a participatory action research approach seeded by the work of J. K. Gibson-Graham, Jenny Cameron, and Julie Graham's study of community economies in the Pioneer Valley, The Rethinking the Creative Economy Project demonstrates how a collaborative research methodology can reappropriate development from the exploitation of artists and artisans as a panacea for economically challenged communities and as a tool that can help perform a postcapitalist environment.
A post-development approach to world-making has arisen from a critique of the idea that development, especially economic development, is yoked to capitalist growth. This approach extends the long tradition of critique that has accompanied the hegemonic rise of a mainstream development project focused on the 'problem" of less developed regions of the world. As we see it, the challenge of post-development is not to give up on development, but to imagine and practice development differently.
Community-based social enterprises offer a new strategy for people-centred local economic development in the majority 'developing' world. In this chapter we recount the stories of four social enterprise experiments that have arisen over the last five years from partnerships between communities, NGOs and municipal governments in the Philippines, and university based researchers from Australia.