Publications
Mainstream biodiversity conservation continues to emphasise the rapid disappearance of charismatic megafauna. Fungi are ignored, partially because many are invisible. However, their conservation is of growing concern because their decline signals a decrease in overall biodiversity and losses in ecosystem integrity and function. Social science engagement with microbes is of growing interest because the diverse characteristics of fungal bodies create new entry points for conservation. Using data collected over three years from literature review, lab ethnography, and interviews, this paper develops two new concepts intended to operate at the intersection of these discussions. A review of the fungal conservation literature finds mainstream species conservation an ill fit for fungi.
Participation of Indigenous peoples and local communities is encouraged in calls for sustainable transitions and transformations. The term ‘community’ is widely used yet nebulously defined. Conservation that removes people from their communities of land invokes epistemological authority and displaced relationships. We relate our work to the articles in this special issue to rethink the relationship between humans and nature in conservation. We propose expanding the term ‘local communities’ to include more than just humans. By decentring the human subject, we rethink what it means to participate in community and place-making, further unpacking the ethical motivations of emplacement.
A small but potent set of ideas, exercises, and resources that might be used as a starting point for thinking more about space and place. It is for anyone interested in learning more about the places where people live, work,
As the Covid pandemic and unprecedented ecological change unsettle our lives, the growing public awareness of care is reshaping economic thinking and practice as we emerge from the pandemic but find ourselves in deepening social reproduction crises and the ongoing climate crisis. Feminist economists have long identified that unpaid care work forms the basis for social reproduction or the unseen work through which capitalist economies and societies are reproduced. Even if the act of care is central to relationships and fundamental to our survival and wellbeing, it is too often taken for granted, invisible, not counted as productive or profitable, and carried out mostly by women, people of colour, immigrants, or other marginalised groups.
This paper investigates food system resilience—conceptualized through the four dimensions of agency, buffering, connectivity, and diversification—from the perspective of rural–urban relations. We consider three cases that capture distinct actor and policy foci in the wider literature on urban–rural interactions. These are secondary cities and their development potential as central nodes in urban–rural food systems, the role of digital infrastructure in shaping food systems resilience, and finally, street food vendors as a particularly vulnerable yet crucial group of actors linking rural food supply with urban demand. We review existing literature within these themes, with a particular focus on the impact of the COVID-19 pandemic on the food systems in middle- and low-income countries.
Aotearoa New Zealand is at a critical juncture in reducing and managing organic waste. Research has highlighted the significant proportion of organic waste sent to landfills and associated adverse effects such as greenhouse gas emissions and loss of valuable organic matter. There is current debate about what practices and infrastructure to invest in to better manage and use organic waste. We highlight the diversity of existing organic waste practices and infrastructures, focusing on Auckland, Wellington and Christchurch. We show how debates about organic waste practices and infrastructure connect across three themes: waste subjectivities, collective action in place and language.
Social and solidarity-oriented and self-governed processes of organizing economic life have
existed since humans have collaborated to survive. However, the conscious demand and con-
ceptual realization of the social aspects of the economy only arose in Western thought with
the emergence of a primarily market-based exploitative economy and the enclosed commons,
forcing working people into capitalism’s system of production and exchange (McMurtry,
2010; Polanyi, 2001 [1944]).
This chapter first reviews the most cited definitions of what is increasingly termed the social
and solidarity economy (SSE), related concepts, and their contextual and theoretical perspec-
This volume critically profiles, contextualizes, and theoretically elaborates the unique practice of the UK-based German artist Kathrin Böhm. Combining visual and textual material, it offers an overview of Böhm's exceptional modus operandi that is rooted in a highly original artistic synthesis of a range of practices. Over the last three decades, Böhm has expanded the terms of socially engaged ways of working to an unprecedented scale and breadth by producing complex organizational, spatial, visual, and economic forms.
Artist Ailie Rutherford has been working with Glasgow Women’s Library (GWL) to visualise the complex nature of work and care for many women. The Pouring Out, Pouring In exhibition shares prints and other outcomes from the Mapping Women’s Work workshop series at GWL. Building on a University of Glasgow study, the women involved have mapped out their multiple paid and unpaid roles, thinking together about how a more equitable economic system might look.
The University of Glasgow project ‘Women in multiple low-paid employment: pathways between work, care and health’ (2020-2024) is the first to study the nature and extent of women’s multiple low paid employment (MLPE) in the UK.
This article is an interview with four researchers about the role of community and community-based initiatives in climate adaptation in urban contexts
This paper explores the multisensory dimension of urban manufacturing to interrogate the spatial possibilities for production in a small town in Switzerland. Together with a group of graduate students, we apply sensory methods to explore how production shapes urban sensescapes and how these sensescapes affect our relation to production. Our study sparks critical questions about mixed-use zoning and tentatively advances the concept of sensible production: a production that not only is perceptible and can actively be engaged with, but that also shows good sense, makes sense, and focuses on what we need.
This paper aims to tentatively explore the benefits of placing art’s knowledge-building tradition, with its capacity to disrupt and reframe, at the centre of how we look at alternative organizing and alternative economic spaces, positioning lived experience, its uncertainties intact, at the heart of researching and practicing social enterprise (SE). The paper explores indeterminacy through two case-study narratives, one of an academic arts-based research project and the other of a unique organization it encountered. It describes the way juxtaposition, encounter and drift value indeterminacy as central to generative processes, challenging the control central tomanagement and its research.
The term “solidarity economy” is most commonly deployed to describe altruistic and socially beneficial ways of doingbusiness, often in opposition to ones that are less so. Drawing on a year and a half of ethnographic fieldwork among Danish minority gangs, this article seeks to open the discussion on solidarity economies beyond these traditional understandings by addingthe perspective of gangs. It explores the more exclusive and violent aspects of solidarity economies, drawing on the analytical lenses of reciprocity and pooling. These dimensions afford the tracing of the conditions of solidarity within that group, rather than the mere verification of its absence orpresence.
This report outlines two approaches to assessing the intentions and outcomes of the non-governmental organisation, Life in Vacant Spaces (LiVS), in Ōtautahi Christchurch. Ōtautahi Christchurch presents a useful case study for wellbeing as it continues to recover from the physical and psychological trauma of earthquakes.
(Open access article)
The article presents an exploratory study of the equub, a form of community-based finance in the Ethiopian diaspora in Germany. Equubs exemplify how People of African Descent in Germany organize against financial exclusion. Grounded in the theory of diverse economies and the method of "reading for difference", the article analyzes the characteristics of the equub as a nonmarket financial institution that contributes to building community economies. Processes of decommodification, collective governance, and ethical decision making around financial needs are discussed alongside the linkages to the diverse economy at large.
This chapter draws on two initiatives situated in Thailand and Cambodia, inspired by strength-based capacity building approaches known as ‘asset-based community development’ (ABCD) and ‘Appreciative inquiry’ (Ai). Our approach challenges western-centric conceptions of equality in participatory design and novelty in creative process. In Cambodia, a failed experiment with bamboo furniture led to the re-evaluation of welfare safety nets and sustainable social arrangements.
Drawing on literatures on food justice, and geographies of care and the concept of care-full justice, this aim of this paper is to develop the concept of care-full food justice as an analytical framework through which to view the work of community food provisioning initiatives in the meantime. The paper begins by developing the concept of care-full justice, outlining that it is based on three premises: the inter-dependence of care and justice; an understanding of who is taking responsibility for care in the meantime; and an appreciation of the ways in which the five dispositions of an ethics of care might individually or collectively facilitate responses to injustice.
Artistic work in Aotearoa has long been underpaid and undervalued. In this paper, we examine policy statements made by the New Zealand government from September 2017 until November 2020 about the nature and value of artistic work. Early statements appear to challenge the economization of the arts, and to suggest alternative ways the arts might be valued, including for their inherent connection to well-being and social justice. However, rather than moving the arts away from commercial imperatives, we argue that government initiatives have been implicitly equipping artists and arts organizations to deliver their own economization.
This paper develops a diverse economies account of fish ‘waste’ that revalues it as ‘surplus’. We examine ‘Kai Ika’, a community marine conservation experiment in Tāmaki Makaurau (Auckland), Aotearoa New Zealand. Kai Ika rescues fish heads, frames and offal that were previously ‘going to waste’ and redistributes them to fish eaters who would otherwise struggle to access these foods. It involves fishers and community sector and Indigenous actors in an initiative that converts would-be waste into surplus. We examine the case as a diverse economic project that nourishes humans, enhances respect for fish as living beings, and potentially conserves marine resources in the face of global-to-local fisheries depletion.
Eka Nari Sanghathan (ENS), an Indigenous single women farmer's collective in Odisha, India and Norco Dairy in regional NSW, Australia are cooperatives undertaking collective action to ‘survive well’, securing agrarian livelihoods in the face of climate change. Striking differences in affluence and poverty separate these place-based cooperatives while other things connect them: an Earth unsettled by climate change and extractivist/capitalist interventions. Both cooperatives transform place in practice by engaging similar survival strategies and non-exploitative forms of cooperation.
All research aims to find, challenge, investigate or push limits within a given field of knowledge. But what happens if, rather than viewing limits as inherent premises or side-effects of a research process, one activates them as tools? This chapter exemplifies a conceptual experiment with the methodological affordances of limits, through the classical Spinozian approach to affect. After introducing some relationships between limits and affects, it explores how one may actively use these types of affective occurrences within the specifics of an ethnography of Danish gangs. In particular it proposes three different modes of relation as focal points: Outside-out, outside-in, inside-out.
La Foresta is a community academy that is located at the train station of Rovereto in the valley of Vallagarina, Trentino, an autonomous province in the North of Italy. The project was collectively founded in 2017, the initiators were motivated by the desire to create a space where different cultures and the various civic actors in the area could come together to learn from each other, both in theory and practice, in order to explore emerging commons and community economies. As such, the space and project provide an infrastructure for emergent commoning practices, on the one hand, and an avenue to shape concrete demands and practices for the territory as a commons, on the other.
What can it mean to shift from a critical to a caring design practice? I raise this issue as urgent and significant within the interdependent planetary dynamics of climate breakdown, rapid species extinction and the vertiginous exacerbation of social inequalities spurred by the Covid-19 pandemic. To explore this question, I take my own participatory and research-led design practice as a reference point that helps me to ref lect on how care can be central to design practices today.
This paper questions a widespread narrative that presents cooperative initiatives as mainly unsuccessful in postsocialist contexts. Taking the example of cooperative promotion in Kyrgyzstan after its independence from the Soviet Union, it highlights how this narrative is part of a broader hegemonic discourse on development and on the economy. The paper advances an alternative, postcapitalist, reading of cooperatives and cooperation in Kyrgyzstan and postsocialist contexts more in general.
This paper brings together two streams of literature which rarely enter into conversation: diverse economies scholarship and critical readings of postsocialism. Mobilising the cases of food self-provisioning (FSP) in Czechia and agricultural cooperatives in Kyrgyzstan as an empirical basis for our reflections, we pursue a two-fold aim. Firstly, we call for attention to the postsocialist East as fertile ground for the study of diverse economies. Secondly, we offer a postcapitalist reading of postsocialism as embedded and emancipated theorising, arguing that diverse economies thinking can support novel representations of this geopolitical area and open space to appreciate economic diversity on the ground.
Small-scale food production for domestic use or local markets is common in Finland. In particular, edible gardening and berry- and mushroom-picking are part of everyday life in many households and other small communities; for example, honey is typically produced in small apiaries. In this thesis I examine this phenomenon as an economic activity. Drawing on the theoretical and methodological framework of diverse economies (Gibson-Graham 2006a, 2006b), I understand the economy as an open and non-predefined multiplicity, and I concentrate on situated ways of doing economies in everyday practices of food production. I especially focus on how economies are enacted as more-than-human in small-scale food production and food self-provisioning.
This paper is a response to growing excitement about arts-engaged research in geography. More and more geographers are practicing participatory arts projects to co-investigate pressing issues with communities. However, there are a lack of reflexive discussions about the limits of this work within the confines of the neoliberal and colonial university pressuring researchers to produce 4-star work that makes an impact, or measurable change. Here I add criticality to our understanding of the pitfalls and potential of arts-based analyses. I reflect on interviews with women, queer, non-binary and trans artists who I met during my time as a post-doctoral researcher in Glasgow.
