This report details the workshops conducted in South Korea as part of the Redrawing the Economy project. The workshops were conducted by one of the authors of Take Back the Economy, the translators of the Korean version of Take Back the Economy, artists, and members of community economy initiatives from across South Korea.
Economic diversity abounds in a more-than-capitalist world, from worker-recuperated cooperatives and anti-mafia social enterprises to caring labour and the work of Earth Others; from fair trade and social procurement to community land trusts, free universities and Islamic finance. The Handbook of Diverse Economies presents research that inventories economic difference as a prelude to building ethical ways of living on our dangerously degraded planet.
Researchers have long recognized practices of mutual aid, reciprocity and sharing as prevalent features of everyday community life in Southeast Asia.
Community Economy theory has gained much traction over the past two decades as a language politics and an ethical tool kit for researchers and practitioners in the field of community development. This chapter examines Community Economy approaches to development using two empirical examples from quite different contexts that highlight key ethical concerns.
This is a revised and updated version of "Alternative Economies" first published in 2009 in the Elsevier Encyclopedia of Human Geography. The article draws on more recent diverse economies scholarship to illustrate a performative, as opposed to a realist, description of "alternativeness". Here alternative is understood in the context of the economy as an ontologically differentiated space, a space that is not organised by a singular logic, capitalist or otherwise. This has profound implications for the theory of change that informs diverse economies scholarly interventions.
Some of the perennial tensions in applied theatre arise from the ways in which practice is funded or financed. They include the immediate material pressures and pragmatic dilemmas faced by theatre makers on the ground and the struggle to secure the resources needed to produce and sustain work or to negotiate the dynamics and demands of particular funding relationships. In the applied theatre literature, there are many examples of groups and organizations that have compromised their political, pedagogic, artistic or ethical principles to make their work economically viable.
Applied Theatre: Economies addresses a notoriously problematic area: applied theatre's relationship to the economy and the ways in which socially committed theatre makers fund, finance or otherwise resource their work.
Despite the shortened commodity chain created for coffee through fair trade, there still exist a number of actors within certified commodity exchange. This chain is populated by disproportionately engaged actors, from a consumer looking for the certification seal, to coffee roasters working directly with coffee producing cooperatives, to producers striving to keep up with the standards for certification.
Is fair trade really fair? Who is it for, and who gets to decide? Fair Trade Rebels addresses such questions by shifting the focus from the abstract concept of fair trade--and whether it is "working"--to the perspectives of small farmers. It examines the everyday experiences of resistance and agricultural practice among the campesinos/as of Chiapas, Mexico, who struggle for dignified livelihoods in self-declared autonomous communities in the highlands, confronting inequalities locally while participating in a global corporate agricultural chain.